The Aesthetic Influence of Cubism in Modern European art

The research included four chapters. The first chapter was concerned with explaining the research problem، its importance، the need for it، the research objective and its limits، and defining the most important terms included in it. The research problem was defined by answering the following question: What is the aesthetic effect of the cubist form in the art of modern European art? The research also aims to: Identify the aesthetic effect of the cubist form in modern European art. The second chapter was concerned with the theoretical framework، as it included two topics: the first topic (the aesthetic form)، while the second topic (the cubist form and its effect on modern European art). The third chapter included the research procedures، which are: the research community، the research sample، the research tool، the research methodology، and the analysis of the research sample. The fourth

chapter includes the research results، conclusions، recommendations، and suggestions. Among the most important results reached by the researcher: The visual discourse depends in its production on the aesthetic engineering foundations that achieve ideal forms to achieve aesthetic values ​​that are far from the sensual formal data according to the cubist school as in all models. 1. The researcher also reached a number of conclusions، including: Cubism is considered a trend that has the first merit، as the research results have shown، in that the surface of visual discourse is characterized by new treatments to refer the forms of visual reality to complex aesthetic forms.