The Nightmarishness of Dreamlike Spaces and Their Manifestations in the Iraqi Theatrical Performance: A Case Study of the Play Red Line

القسم: بحث
إصدار
مجلد 2 عدد 2 (2025): Volume 2 Issue 2
الصفحات
86-100

الكلمات المفتاحية:

Nightmarish، space، dream

الملخص

h

المراجع

  1. Abu Doma, M. (2009). Transformations of the Theatrical Scene: Actor and Director. Cairo: Egyptian General Book Authority.
  2. Buchniak, B. L. (1999). Theatre and Experimentation between Theory and Practice (H. Abdel Fattah, Trans.). Cairo: Supreme Council of Culture.
  3. Counsell, C. (1966). Signs of Theatrical Performance: An Introduction to Twentieth Century Theatre (A. H. Al-Rabat, Trans.). Cairo: Center for Languages and Translation, Academy of Arts, Cairo International Festival for Experimental Theatre.
  4. Elias, M., & Qassab, H. (2006). Theatrical Dictionary: Concepts and Terminology of Theatre and Performing Arts (2nd ed.). Beirut: Publishers.
  5. Filler, W. (2005). The Avant-Garde Theatre in Poland and Its Creators (S. Abdel Hamid, Trans.). Arab Culture, (2). Baghdad: General Directorate of Cultural Affairs.
  6. Grojitsky, A. (1988). Joseph Shaina Theatre (F. Sudani, Trans.). Al-Hayat Al-Masrah Magazine, (30-31-32-33). Damascus: Ministry of Culture and National Guidance.
  7. Hebner, Z. (1993). The Aesthetics of Directing (H. Abdel Fattah, Trans.). Cairo: The Egyptian General Book Authority.
  8. Hensel, A. K. (2000). Organic Theatre. Kawalis Magazine, (4). Sharjah: Theatre Association.
  9. Hensel, A., & Kjoger, A. (2000). Drama in the Drawings of Joseph Shaina (F. Ohan, Trans.). Kawalis Magazine, (4). Sharjah: Theatrical Artists Association.
  10. Innes, C. (1994). Avant-Garde Theatre from 1892 to 1902 (S. Fikry, Trans.). Cairo: Center for Languages and Translation, Academy of Arts.
  11. Innovations of Playwrights in the Twentieth Century (S. Abdel Hamid, Trans.). (2022). Basra: Dar Al-Funun wal-Adab for Printing, Publishing and Distribution.
  12. Khalifa, S. (2009). The Poetics of the Fantasy Novel. Morocco: Dar Al-Mona.
  13. Lyenko, Z. T. (2006). China's Theatrical Spaces (M. A. F. Metwally, Trans.). Cairo: Ministry of Culture, Cairo International Festival for Experimental Theatre.
  14. Oxford University Press. (2012). Oxford Wordpower. New York, NY: Oxford University Press.
  15. Rāzī, J. S. (1965). The Philosophical Dictionary in Arabic, French, English and Latin Words, Part 1. Qom: Dhu al-Qurba.
  16. Sakhsoukh, A. (2005). Trends in Contemporary European Theatre. Cairo: Egyptian General Authority.
  17. Saliba, J. (1965). The Philosophical Dictionary in Arabic, French, English and Latin Words, Part 1. Qom: Dhu al-Qurba.
  18. Shaina, J. (1994). Joseph Shaina Speaks About Himself (H. Abdel Fattah, Trans.). Fusul Magazine, 12(2). Cairo: The Egyptian General Book Authority.
  19. Wasfi, H. (1995). Experimentation in Egyptian Theatre. Fusul Magazine, 14(1). Cairo: The Egyptian General Book Authority.
  20. Wasinka, E. (2000). Joseph Shaina and the Active Theatre. Kawalis Magazine, (4). Sharjah: Theatrical Artists Association.
  21. Whitmore, J. (2013). Directing in Postmodern Theatre: Shaping Meanings in Theatrical Performance (S. A. Hamid, Trans.). Baghdad: Sources Library for Printing and Publishing.
  22. Wilson, E. (1998). The Theatrical Experience (I. Hijazi, Trans.). Cairo: Supreme Council of Antiquities Press.

المؤلف

Musab Ibrahim Mohammed

College of Fine Arts, University of Mosul

المعرفات

معرف الكائن الرقمي DOI: 10.33899/frj.v2i2.61703

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طريقة الاقتباس

The Nightmarishness of Dreamlike Spaces and Their Manifestations in the Iraqi Theatrical Performance: A Case Study of the Play Red Line. (2025). مجلة فنون الرافدين, 2(2), 86-100. https://doi.org/10.33899/frj.v2i2.61703
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