Discourse patterns in contemporary formation

The researcher addressed the research title (Discourse Patterns in Contemporary Art). The research was divided into four chapters. In the first chapter (the methodological framework)، the researcher presented the research problem، which was represented by the following question: What are the discourse patterns in contemporary art? The researcher then explained the importance of the research، its objective، and its boundaries، defining its terminology. In the second chapter (the theoretical framework)، the researcher addressed two topics. In the first، he addressed the concept of discourse in thought، while in the second، he addressed the manifestations of discourse in the field of art. The theoretical framework concluded with the development of indicators. In the third chapter (the procedural framework)، the researcher defined the research methodology، the research community، its sample، and its tools. He then analyzed the research samples. In the fourth chapter، the researcher presented a set of results، reached a set of conclusions، and formulated recommendations and proposals. Among the findings reached by the researcher were:

Discourse in contemporary art focuses on presenting the margin and excluding the centers according to the deconstructionist strategy.

Various display techniques and unconventional materials are used in the production of contemporary art works that convey ideological discourses.