Digital technology and its use in building the image of the theatrical scene - Abu Abdullah play as a model
Pages
45-56Keywords:
Abstract
Scientific development has had a wide impact on all areas of life, especially in human life, and this development has been effectively reflected in the scientific aspects in general and artistic aspects in particular, as the world theater has benefited from this development until it began to change the features of the scenic system within the show by using this technology (digital technologies) for this purpose. The Bath chose the title of its research (Digital technologies and their use in building the image of the theatrical scene). This research consisted of four chapters. The first was methodological and included the research problem, its importance, its objectives, and the definition of its terminology. As for the second chapter, it consisted of two sections. The first (the concept of digital technology and its origins in theater) and the second section was digital technology work among directors. The researcher concluded this chapter with the indicators that resulted from the theoretical framework, then came the third procedural chapter, sample analysis, then the fourth, results and conclusions, then a list of sources.
References
- Agros, Robert. M. and George N. Stancio. (1989). Science in its new perspective, (first volume). (Kamal Khalayli, Translators) Kuwait: World of Knowledge Series 134, National Council for Culture, Arts and Letters.
- Ahmed Zaki. (1999). Trends in contemporary theater (first volume). Cairo: Experimental Theater Festival.
- Alaa El-Din Mahmoud. (12 July, 2008). Post-dramatic Theater. Article in Fousoul Magazine, Issue 73-2008, Egyptian Authority, Page 252.
- Ali Mahmoud Al-Sudani. (2021). Aesthetics of the Digital Scene. Baghdad: Ministry of Culture and Antiquities, Baghdad International Theater Festival, Adnan Printing Library.
- Ammar Abdul Salman Al-Janabi. (5 November, 2015). Joseph Zvoboda. Al-Hewar Al-Mutamadin, website page.
- Aqeel Mahdi Youssef. (1988). Views on the Art of Acting. Baghdad, University of Baghdad: Ministry of Higher Education.
- Aseel Laith. (2003). The dramatic employment of the plastic vision in the theatrical perspective. University of Baghdad: College of Fine Arts / Unpublished Master's Thesis.
- Dolf Moshah. (2004). Philosophy and science (first volume). (Muhammad Saeed Omar, translators) Alexandria: Dar Al-Gamal for Printing and Publishing.
- Duaa Jaafar Salman. (2019). Visual formation of theatrical space. Dubai: Arab Theater Authority, publications of the Arab Theater Festival, Sharjah.
- Enas Abdul Ali Naji. (2023). Engineering paths in the formation of the visual system of the Iraqi theatrical performance. Baghdad, University of Baghdad, College of Fine Arts: Unpublished doctoral thesis.
- Fadel Al-Jaf. (2001). Theatrical interpretation of lovers' dreams, Swedes watch Shakespeare's "A Midsummer Night's Dream" with a new directorial vision. Middle East, issue 8214.
- Imad Hadi Al-Khafaji. (2016). Digital Technology and the Optical Alternative in Theatrical Performance (Volume 1). Baghdad: Al-Fath Library for Printing and Publishing.
- Malcolm Rams. (2012). Digital art. Written by Malcolm Rams, Introduction to understanding its mediation and presenting its communicative aesthetics (page 213). Morocco: Moroccan Book Website
- Muhammad Kazim Hashim Al-Shammari. (12 March 2018). Aesthetics of the digital image in theatrical performance. Media of the Arab Theater Authority, page 2.
- Muhammad Najib. (2005). The socio-cultural dimensions of the digital divide (first volume). Tunis: Dar Al Masar for Printing and Publishing.
- Najm Al-Din Samman. (2009). Theatrical Illuminations (First Volume). Damascus: Ministry of Culture Publications.
- Najm. (29 5, 2017). Theatrical technique creates its theater. Baghdad, Al-Hewar Al-Mutamadin 5435.
- Philip Butz. (23 February 2020). What is digital literature? Signs Magazine, 35, page 123.
- Pizzo, Antonio. (2009). Theater and the digital world.. Actors, scene and audience (first volume). (Amani Fawzi, translators) Cairo: Egyptian Book Authority.
- Rawas, Abdel Fattah. (20 8, 2005). Techniques in the architecture of the theatrical performance. Al-Usbu' Al-Adabi Newspaper, 22.
- Robert Gillam Scott. (1950). Design Foundations (First Volume). (Mohammed Youssef, Translators) Cairo: Dar Al Nahda.
- Robert M. Agros, and George N. Stanciu. (1989). Science in its New Perspective (First Volume). (Kamal Khalayli, Translators) Kuwait: World of Knowledge Series, National Council for Culture, Arts and Letters.
- Rosa de Diego, and Lydia Panketh. (2007). Technology and Theater (First Volume). (Khaled Salim, Translators) Cairo: Publications of the Ministry of Culture (Cairo International Experimental Festival 19).
- Saeed Al-Areeb Al-Najjar. (2003). Journalism Technology in the Age of Digital Technology (First Volume). Cairo: Cairo Egyptian Lebanese House.
- Sami Abdel Hamid. (2006). Innovations of Theater Artists. Baghdad: Al-Fath Library.
- Sami Abdel Hamid. (2011). The Art of Acting (First Volume). Beirut: Dar and Library of Al-Basaer.
- Shomit Meta and Maria Shevtsova. (2005). The Famous Fifty Main Theater Directors (Issue 21, Volume 1). (Mohamed Sayed Ali, Translators) Cairo: Experimental Theater Festival.
- Theater of visions through directors and designers in global experiences. (2012). Al-Mustaqbal Newspaper, Issue 4262, 20.
Identifiers
Download this PDF file
Statistics
How to Cite
Copyright and Licensing

This work is licensed under a Creative Commons Attribution 4.0 International License.



